Roxanne and I have commited to creating images every day of the year. Some of the images may be created with our Digital SLRs, or the camera we happen to have with us when we’re out and about. The purpose of committing to the project it to hone our craft. Constantly having a camera with you enables you to see the whole scene before you and pluck an image out of it instead of going through life with blinders like so many people do. The following is the image I posted to my 365 project. The link to my 365 project is:
http://www.dougplusrox.com/doug_365 The link to Roxanne’s 365 project is:
http://www.dougplusrox.com/rox_365

Less is more with the Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF
Less is more when it comes to creating images. You only need to include enough information in the frame to tell a story to viewers. Less is also more when it comes to the amount of gear you carry with you. If you have too much equipment in your camera bag, you have to make decisions about which gear to use instead of reacting spontaneously to the subject or scene that’s piqued your curiosity enough to create an image. I’ve long been a proponent of carrying just what I need on a photo shoot instead of every piece of gear I own. I decided to give that theory the ultimate litmus test by doing a photo shoot with one camera and one lens. But the lens I decided to carry is indeed a powerhouse: Tamron’s AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF, which I mounted on my Canon EOS 7D.
Before Tamron sent me this lens, I would have never considered doing a photo shoot with just one lens. However, after some initial experimentation with the lens, I knew I could create a wide variety of images with it. I decided to put the lens through its paces at Myakka State Park near Sarasota, Florida. On a typical Myakka photo shoot I carry a tripod, two camera bodies; one with a wide-angle to medium telephoto zoom lens for landscape photography, and one with a long telephoto lens for capturing images of wildlife. Sometimes I’d also carry a macro lens for close-up photographs of flowers and insects. That’s a lot of gear, but necessary when considering the diversity of photo opportunities in a place like Myakka State Park.
With just the 18-270mm lens on my EOS 7D, I have an astounding focal length range that is the 35mm equivalent of 30mm to 432mm, which in theory gives me the capability of capturing an images with a great expanse of landscape and with a quick twist of the zoom barrel zooming in to create images of distant wildlife and birds. OK. Theory is all well and good, but now I was actually putting it to the test.
The day began with a glorious sunrise on the misty Myakka River. I started my exploration of the lens’ capabilities by creating some wide-angle shots of the river. Then I saw an area where warm light was dancing on the high grass on the opposite shore of the river. Normally I’d have to switch to a longer focal length to capture the image I envisioned, which is risky when the light is changing by the second. With the Tamron 18-270, I simply zoomed in to frame the image I envisioned. The light was still fairly weak, which would normally mean that I’d I have put the camera on a tripod, open the aperture to let in more light, or switch to a higher ISO to get a fast enough shutter speed capture a tack-sharp image. Tamron’s fabulous VC (Vibration Compensation) image stabilization saved the day and enabled me to capture the image with a large depth of field at a low ISO and a fairly slow shutter speed.

After photographing the sunrise, I drove to Fox’s Low Road, one of my favorite hiking trails in the park. The only extra piece of gear I took was a bottle of water. Fox’s Low Road is a photographer’s paradise. The trail meanders through a lush meadow that is dotted with picturesque trees. I like to capture the big picture of the lush landscape and clouds, but occasionally I like to capture details like vines climbing a tree trunk, or a patch of photogenic leaves. The 18-270 made it possible to capture both extremes without having to change lenses in a dusty environment. With a minimum focusing distance of 19.3 inches, I can also use the lens to create close-up images of butterflies and flowers.

Just before I left Myakka, I heard the cry of a red-shouldered hawk. I walked to the area where I thought the hawk was, looked overhead and there it was in a nearby tree. I zoomed in to 270mm, focused the bird’s eye and captured several images.

On the Myakka photo shoot, the miniscule Tamron powerhouse exceeded my expectations. I was able to create a wide variety of images under varying light conditions. Indeed less is more when you go on a photo shoot with the Tamron AF 18-270mm f/3.5-6.3 Di II VC PZD LD Aspherical IF lens.
Disclaimer: Tamron sent me this lens as part of an ongoing agreement to review and write about their products. However, whether I’m being compensated for a product review or not, the result is the same: I tell my readers exactly how I feel about a product, good or bad.
For more information about the Tamron 18-270mm for Canon digital SLRs, click here: Tamron 18-270 for Canon
For more information about the Tamron 18-270mm for Nikon digital SLRs, click here: Tamron 18-270 for Nikon
For more information about the Tamron 18-270mm for Sony digital SLRs, click here: Tamron 18-270 for Sony
How and Why We Photograph
| The holiday season is upon us, and our eMail inboxes are filled to overflowing with special offers from Adorama, B&H, Ritz Camera and any other vendor that sells tech gear. Now I must admit, I’d love a new 16-35mm f/2.8 L-Series lens and a new 580EXII Flash. But will either make me a better photographer? No. I’m the only one who can do that.
And I can become a better photographer with any camera that I care to use. Sure I may get sharper images with a better lens or a newer camera with an all-singing, all-dancing sensor that captures a gazillion megabytes, but it’s still possible to take a dead-ass boring picture that’s sharp as a tack. Gear is how we take the picture. Why we take the picture is the important thing. We take a picture to convey a message or how we feel about the subject matter we’re photographing. And that goal can be achieved with even the simplest camera. I’ve been reading a lot of books and blog posts about photography lately. David duChemin’s excellent eBook, “Vision is Better 2” delves into creativity and the reasons we photograph. David preaches that, “gear is good, vision is better.” Your vision is your unique take on the world and things that interest you and of course the gear is what you capture your images with. The gear determines how you take a picture, but why do you create a picture? You create an image because you are interested in the subject matter. When you use your unique vision to photograph things that interest you, the resulting images tell viewers how you feel about the subjects and places you photograph. Your images tell people that you think the subjects and places you photograph are important. The other morning I was on our deck reading and drinking a cup of coffee. The morning was glorious with a clear blue sky dotted with a few high cirrus clouds that looked like an artist’s brush strokes. The golden morning light dappled the green grass and a nearby pine tree with golden light. When I took a break, I noticed the patterns the shadows were making on the wall behind me. The light was changing by the second; there was no time to go inside and grab my digital SLR, so I took a picture with what I had with me: my iPod Touch. I created a couple of pictures of the shadows, and then looked overhead. A single contrail pierced the blue sky, so I pointed the iPod up and made a few more images. Like Chase Jarvis says, “the best camera is the one that’s with you.”
Are they the best images I’ve ever created? No. But the fact that I noticed the patterns and the contrail and decided to make some images flexed my photography muscles. When I have a camera with me, I see better, notice more of the world around me and notice things that would make interesting pictures. I carry the iPod Touch or my trusty Canon S90 with me everywhere I go. So if you’re lusting over a new lens or newer camera this holiday season, thinking it will make you a better photographer, it won’t. Only you can do that by shooting more and creating a volume of work. Review your work every six months or so to see how far you’ve progressed. If you shoot often, you will notice a difference, and notice what parts of your craft need improvement. Experience after all is the best teacher. If someone decides to give me a brand new L-Series lens for Christmas, I won’t turn it down. But then again, I’ll do just fine without it. |

